LONG展览 | 对话：视觉进行时

2020年1月21日至3月22日，龙美术馆（西岸馆）将推出展览“对话：视觉进行时”，展出二十世纪至今的绘画及雕塑作品，共分为三个部分：30-60年代，70-90年代，千禧年至今。展览将通过时间的发展来探索视觉文化在艺术作品中的传递与延续，发掘不同时期的流派与表现方式，以及同时期的流行与风格。我们可以通过展览去发掘这种来自不同时空之间的对话。

今天的视觉文化研究在文化研究中起到了关键的作用，同时也无时无刻地存在今日生活中，例如：照片、电影、新媒体等，凡可视的地带，视觉文化无处不在。1972年，“视觉文化”这个概念被首次提出，直至90年代“视觉文化”才开始被作为一门学科来研究。对于视觉文化的研究中，符号学是重要的研究方法之一，瑞士语言学家费迪南·德·索绪尔将符号学带入人们的视野中。罗兰·巴特则将符号学的分析不仅仅停留在了语言世界及视觉文化中的应用，他用符号学的视角来解析日常生活及大众文化，解读着我们对于“观看方式”发生着的变化。

然而在历史的发展中，流派与风格的出现与演变预示着流行的开始与结束，符号化的呈现方式方便了我们去“观看”，也省去了我们的思考时间。回归本能，感官上的刺激会是我们的第一感受吗？我们真的是否需要那些定义去教会我们思考，视觉与今日艺术之间的关系是否真的能够代表今天我们？

This exhibition will explore paintings and sculptures from the twentieth century to today, and will be show in three parts : 30s-60s, 70s-90s, and the 2000 to now. The exhibition will explore the transmission and continuation of visual culture in art history through the development of time, and explore the genres and expressions of different periods, as well as the trend and style . We can explore the dialogue from different time and space through the exhibition.

Visual culture study today plays a key role in cultural studies , and it exists everywhere in today's life, such as: photos, movies, social media etc. The concept of "visual culture" was introduced for the first time in 1972 ,  it was not until the 1990s that "visual culture" began to be studied as a discipline. Semiotics was first introduce by Swiss linguist Ferdinand de Saussure and plays a key role in the study of visual culture, Saussure belies that everything in this world has a sign. Roland Barthes believes that semiotics not only exist in the linguistic world but also can be anywhere in the visual world of our life. He uses semiotics to analyze daily life and popular culture, and interprets the changes in the way we see .

The emergence and evolution of genres and styles in the development of history herald the beginning and end of fashion. Those symbolic tags  seems to save us a lot of time to think, but lack our imagination to explore more. Back to the beginning of our own nature, do we really need those definitions to teach us to think,  if the studies of visual culture can truly represent today’s  art world or not.

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